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Stranger Ting 3: The game offers a snap on the new season



Whether you're a Buddy the Elf fan or prefer the retro-loving Bedford Falls, there are certain movies that just make the holiday all the way – but not all of them were always so popular. Here's what the critics originally thought about 10 classic Christmas movies.

1. IT'S A FANTASTIC LIFE (1946)

It seems that the Jimmy Stewart-Donna Reed classic was loved from the start. Variety was a positive ebullient when it underwent the movie December 18, 1946, saying:

"It's a wonderful life just want to enjoy it and deserve it. The wake of the waves Ballyhoo, who has gone for the first time from Liberty Films, will come again to boost the theater's wickets. After a little clumsy cycle of psychological pixel and a tortured trend of panting propaganda vehicles, April-air health and humanism of this natural brings back reminder that essentially the screen gives the best possible unconscious, fair entertainment. "

In fact, Variety s critics were kind words to all. Frank Capra" shows that he can perform what would normally be homilizing hokum to shiny, engaging entertainment for all the browsers ̵

1; high, low or beetle, "Jimmy Stewart" has not lost one of his former boyish personality (when he is called to turn it on) and shows on a maturity and depth he seems to have recently bought, "and Donna Reed" will now achieve full star status with this effort. MIRACLE ON 34TH STREET (1947)

It's no miracle that this movie has changed for decades: Like It's a wonderful life film critics and critics have loved Kris Kringle's situation since 1947 debut. It was even nominated for a Best Picture Oscar. Although it did not win that category, Edmund Gwenn won for best actor; Valentine Davies won for Best Writing, Original Story; and George Seaton won Best Writing, Scripture. It seems that the only ones who did not like the movie were those in the Catholic League of Decency who downgraded the movie to a "B" rating because of WHITE CHRISTMAS (1954)

Since the smash song "White Christmas" came from Holiday Inn a 1942 Bing Crosby film cut by Irving Berlin, everyone had great hopes r for ] White Christmas A similar theme film that came out 12 years later. Bing Crosby and Irving Berlin were both aboard as before, but "Oddly enough" New York Times critic Bosley Crowther wrote: "Confection is not as tasty as you can assume. The flavor is largely in line-up and not in the production of chefs. Everyone works hard to sing, dance and crack jokes, but the things they work with are small. It does not have the old inspiration and sparkle. "He admits that the film looks good, partly thanks to "VistaVision", a new process of projecting on a large screen. "It's so bad that it does not hit the drum holes and the boy with equal power," concluded Crowther.

4. A CHARLIE BROWN CHRISTMAS (1965)

Snoopy and his friends overcome many problems to make it into the small screen in 1965. Leaders did not like the slow pace of the show. They did not want Linus to download Bible verses. They hated that there was no laughter. And they thought the children would be pronounced by real children instead of adult voters was the worst idea in broadcasting history.

Appears that they were wrong about everything. It has been estimated that almost 50 percent of households with television set to see A Charlie Brown Christmas on November and they have returned since.

5. HOW THE GRINCH STOLE CHRISTMAS (1966) / (2000)

The original TV special got mixed (if apathetic) reviews. One critic claimed that it was "probably as good as most other holiday comics. I can not see why anyone would dislike it." Jim Carrey remake wants the reviews were that kind of.

From Entertainment Weekly Ty Burr:

The Reason Dr Seuss's Original "How Grinch Chole Christmas!" It's a slim class of anti-materialism that comes down to a line: "Maybe Christmas, he thought," does not come from a store. "Ted Geisel said the season is not about things. Ron Howards" Dr. Seuss "How Grinch Stole Christmas" is about things. From bric-a-brac Styrofoam puts the ugly "Twilight Zone" faces of Whos to Jim Carry's hairy man breast, replacing the movie's audiovisual megakill for emotions. And it's just on Shop now, and you can buy the "Grinch" video and plush doll package, or Collector's DVD with fold-out sets and Faith Hill video, or Grinch Shower Radio! … But listen, continue and let the children see it eight times a week. Just turn up the volume so you can not hear Ted spinning.

6. A war story (1983)

Siskel and Ebert both loved everything about this Jean Shepherd adaptation. "It's the kind of movie everyone can identify with," said Ebert, judging by the annual 24-hour marathon he was right.

7. SCROOGED ] [1988]

You know who is immune to the charm of Bill Murray? Critics. The Los Angeles Times said the modern ten The adaptation of A Christmasman was "blown up like his own virgin holiday, but to come and as fun as a knot." All of the fine actors in the film, criticized Sheila Benson, "was wasted, all wasted, some of them under circumstances that make you suffocate for them. "And she is not alone in her opinion. Ebert called it "disquieting, disturbing" and "forced and depressing" with scenes that are "desperate" and "embarrassing."

8. The New York Times Movie critic Janet Maslin is not among the millions of us who gather around the TV Every year to rock Clark Griswold and his 25,000 flashing lights:

The "National Lampoon's Christmas Vacation" script by John Hughes makes no sense other than an unfortunate collection of running gags; If it were not for a calendar that marks the approach to Christmas Day, the film would not have any momentum at all. The film also looks sticky, what about sparse props and sporadically unclear cinematography, and the direction of Jeremiah S. Chechik shows comics that are uncertain at best.

She saw a bright spot in the film, though: "The best thing that the new movie does is bring back cousin Eddie, the poor, stage-stealing slob whose devious habits are a source of great pleasure."

9 . HOME ALL (1990)

Ebert was definitely not a fan of Home Alone – although he enjoyed Macaulay Culkin. He wrote:

The plot is so unlikely that it makes it difficult for us to really care about the child's situation. What works in the other direction, and almost bear the day, is the gifted achievement of young Macaulay Culkin, like Kevin. He is a confident and gifted little actor whom I would like to see him in a story I could care more about.

"Home Alone" is not that story. When the burglars invade Kevin's home, they find themselves running a variety of booby traps so elaborate that they could have been checked by Rube Goldberg – or by the berserk farmer in "Last House to Left." Because all plausibility is gone, we sit back, detached, to watch stuntmen and special effects; people take over a movie promised to be the kind of story the audience could identify with.

10. ELF (2003)

Ebert really liked Elf – and nobody was more surprised at this event than Ebert himself:

If I were to tell you "Elf" stars Will Ferrell Like a human called Buddy who thinks he's a river and Ed Asner as Santa, would you feel an urgent desire to see this movie? I did not either. I thought it would be clunky, stupid and obvious, like "The Santa Clause 2" or "How the Grinch Chairs Christmas." It would have grotesque special effects and leak over in the watch of the holiday anniversary and on us a throwing romance involving the only girl in America who does not know that a man who believes he is a river, by definition, is a pear. [19659013] That's what I thought it would be. It took me about 10 seconds to see Will Ferrell in eleven costumes to realize how very wrong I was. This is one of the rare Christmas companions who have heart, a brain and an evil humor, and it calms the socks right outside the mantelpiece.

He concludes the review with "… Let's hope Buddy persuades enough people to believe. It should be easy. He convinced me that this was a good movie and it's a 34th street miracle there. »

This entry was originally shown in 2014.


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