Welcome to morning music, Kotakuis an ongoing hangout for people who love video games and the cool sounds they make. Today I will hurry how amazing Final Fantasy VII RemakeThe music is, and especially some of its new tracks that were not in the original.
It took me a while to get in Final Fantasy VII Remake (YouTube / long game / VGMdb), and even further to get around to their complex arrangements of the original’s often incredibly simple and deeply affective PlayStation tracks. But in the end, both won me over. The music, like the game, is layered like sheets of sedimentary rock that takes many years of history and lays it out nicely so you can appreciate, analyze and digest in the present. Here is the new version of “Shining Beacon of Civilization“First played when Jessie explains the design of Midgar to Cloud after the game̵
If you have read any of my former Morning Music entrances you know I’m a sucker for melancholy traces and “Shining Beacon” nails the original technodystopia as you draw out the emotional resonance by watching the same human tragedies unfold again and again after decades of replay Final Fantasy VII.
But I said I was here to talk about some of it Final Fantasy VII Remaketheir original points, and so should I. In the years since the game’s release in 1997, Square Enix composers Masashi Hamauzu and Mitsuto Suzuki have spread their wings with several of their own projects. Their work with Final Fantasy XIII The trilogy in particular was a high watermark for the series ‘music after the original series’ composer Nobuo Uematsu’s departure in 2004, and both have brought the same style and increasing sophistication to Final Fantasy VII Remake. Here is Hamauzus “Moonlight Thievery, “Who plays early in the game when you are given the task of breaking into Jesie’s parents’ house to steal his father’s Shinra key card.
It’s laid back and relaxing, and yet there is so much going on, from drums and maracas to harps and chimes. Remake is about exploring the roads not built in the original, and “Moonlight Thievery” is the perfect table setting to sail in the suburbs of Midgar and see the other side of the corporate metropolis’ class divide. After all, there is a reason why Shinra has so much free time to destroy the planet and paint poor people to dust: It makes the lives of many other people extremely comfortable.
Then it is “Took cemetery. “I was initially ostracized since” Shining Beacon “plays in this part. For new recordings, Hamauzu’s new tracks are ideal. It shows his superb and subtle piano work, and his penchant for lifting up even the gloomiest tracks with sparkling harp planes and bellpings. It reminds me a lot of his underrated work on Dirge of Cerberus.
Suzuki’s contribution is a little more weird and positive. His jazzy twist on “Wall market“The theme is completely different from the original, but excellent nonetheless. However, my favorite is “Collapsed highway“Playing as Cloud and Aerith make their way through the tunnels that connect Sector 5 to 6. The Kokyu strings kick it off, followed by an airy surrounding electronic section, with the melody ending in a synthetic frantic breakdown that makes it feel like you ‘We play through the slums in an ancient arcade (appropriate since this is the part where Cloud has to navigate old robot arms that look like a crane game to clear the way).
Ok, there are many clues, but there’s one more I must mention before I leave you: “Due payment. “It is based on Nobuo Uematsu’s original composition for Wall Market called”Oppressed people, ”With the new version arranged by Naoyuki Honzawa. It’s so different from the original, I consider it a new original piece of music, and it’s a bonafide banger:
It’s dancing and full of mini vocal rehearsals, with all sorts of other good stuff mixed in there too. The regular version is a nice downtempo beat to go around Midgar’s underside to, but the match remix takes it to another level. More club music in min Final Fantasys thanks. I demand no less than an entire DJ mini-game when the sequel takes us to Gold Saucer.
And that’s it for tomorrow’s music! How did I write about a bunch of new ones Final Fantasy VII Remake music and not to mention Uematsus ”Hollow, “The only new track he composed? I do not know. Shame on me. It’s excellent. The man is a master. Imagine making one of the best soundtracks for video games ever and then coming back decades later to add an equally amazing and equally appropriate new, fully arranged song to it. I can ‘t do that either. And yet he did. Which Uematsu track gets you through the day?