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Blue Yeti Nano Review & Rating



Blue continues to vary on a recipe it has come close to mastery: the USB microphone. Yeti Nano, at $ 99.99, is a cheaper on the company's popular (and more expensive) Yeti mic. It differs because it has fewer polar patterns to choose from, but it still offers a cardioid pattern and an omnidirectional pattern – and these are based on individual capsules, not digital algorithms. Possibly the biggest difference between the two microphones is Yeti Nano's lack of a built-in control switch gain must be adjusted through software rather than manually. This will be enough of an annoyance for some users that the envy's slightly higher price will be worth it to get extra polar pattern and manual reinforcement. For $ 1

00, however, Yeti Nano offers a DSP (digital signal processing) -free, ready and a crisp signal that is ideal for podcasting and music recording.

Design

With Yeti Nano mounted on the supplied stand, the microphone measures 8.3 with 3.8 and 4.3 inches (HWD) and weighs 1.4 pounds. The building, available in muted gold, black, blue or red model, has a professional look with the blue logo and a volume button for headphones on the front panel. When the microphone is connected to a computer, the volume selector lights up green. When pressed, it acts as a silent button and lights red.

The microscope has a swivel mount so that you can twist the capsule to get the ideal recording position buttons on either side of the microphone to tighten to hold the microphone locked when the desired angle is reached. The height is ideal for desktop recording. In most scenarios, the capsule will be six to ten inches from the speaker's mouth, which is not always provided with tripod and smaller USB microphones. For further scenarios, however, the stand will probably be a bit low on the desktop. The base has a channel to thread the USB cable for a clean look.

At the bottom of the microphone, it is a quarter-inch wire mount that allows you to connect different camera stands – the included 0.75-inch screw adapter allows for connection to any standard microphone. This lower panel also includes 3.5mm headphone jack and micro USB port for the included USB cable, which is of generous length.

The mike is a page URL model, so you speak into the grill over the front panel with the blue logo and volume button. Internally, the condenser microphone has two 14 mm capsules – a cardioid, an omnidirectional, allowing you to choose from a typical pattern for vocal recording to podcasts, game stream or music (cardioid); or a 360 degree recording field that is better suited for field recording, conference calls, or recording of more musicians or speakers simultaneously (omnidirectional). Switching between the two modes is simple: A button on the backside switches between the two, with the LED of the selected pattern.

Yeti Nano performs 24-bit, 48kHz audio (sampling frequency can be lowered), with a frequency response of 20Hz to 20kHz. Like the other Blue USB microphones we've tested, Yeti Nano does not use DSP, which makes it more like a typical professional recording microphone with an XLR connection. For some users, the lack of DSP may be a challenge at the beginning. This means that the microphone can and will distort if the correct balance between amplification levels and microphone location (and speaker performance) is not achieved. But again, that's how almost all professional jobs are, and avoiding DSP means a cleaner signal and a better recording. You can still use EQ and dynamic compression for recording if necessary.

The Blue Sherpa app is a desktop application that provides basic microcontroller, such as amplification and swapping polar patterns without touching the microphone. But it brings up Yeti Nano's primary omission: no pay-button. Who will download a desktop app just to adjust profit levels? Why not just have a boost button on the microphone yourself and make life easy for everyone? The Sherpa app is also where you can download firmware updates for the microphone.

 Blue Yeti Nano NDA 8-28 8am INLINE Yeti Nano works with Windows 7, 8.1 or 10, Mac OS 10.10 or higher, and requires USB 1.1, 2.0, or 3.0. It will work with most software for recording software available, except for ProTools. There is a solution to this, but it's annoying (search the web for "aggregate device USB mic ProTools" and there should be more explanations on how to configure this). To be ready, this is a ProTools shortage, not the fault of this or any other USB microphone.

Yeti Nano also comes with free trials of Xsplit and OvrStream software.

Performance

In GarageBand, Yeti Nano appears immediately and is ready for use. Without adjusting the win levels in the Sherpa software, the default levels are usable, which means there is no distortion on regular vocals, and most will be able to record and use this level right away. Some microphones claim to be low, but when plugged into GarageBand, there is still a slight delay. Yeti Nano does not have this problem. What you hear in your headphones is equivalent to real-time sound in your room.

We started using the microphone in a cardioid pattern, using the standard gain setting. Vocals sounded sharp and clear at these levels from a distance of about eight inches away. Coming closer, the recording was sharp. This is not a bass-heavy, rich microphone; It is far more focused on clarity in high times and heights. This does not mean that downturns are ignored – adjusting the gain to higher levels seems to bring them a bit up and of course, shooting from a closer distance will increase the proximity effect, but generally this is a high-speed-focused mic. Switching to omnidirectional had little effect on the overall sharpness of the recording, and the pattern is ideal for more room noise. It seemed to pick up only a little less signal from the sides than the front and back of the capsule, but the difference was nominal.

Adjusting the mic levels in Sherpa is simple. To be fair, the standard gain level is really near ideal (for my vocal, at least), but if you have a speaker or audio source, you need to call things back significantly. The Sherpa app is easy to use while playing into GarageBand.

So overall, Yeti Nano provides an excellent, clean signal, provided you get the right levels. Although the default setting setting is a good starting point, the Sherpa software is more or less important if you really want to call ideal levels. And, as mentioned, it's a solid way to remotely adjust the microphone pattern as well.

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Yeti Nano gets most things right from its low latency headphone jack monitoring to its dual-mic patterns and crisp, clear sound quality. Nevertheless, it's hard to overestimate how much more complete the microphone would feel with a built-in amplifier button, no matter how easy the Sherpa app is to be used. And it makes it more expensive (with about $ 50) Yeti the more attractive option to the two. If the lack of amplifier does not interfere with you, you'll get a Nano-quality USB microphone steal at a budget-friendly price. Nevertheless, for even less, Blue Snowball Ice delivers a solid, inexpensive experience. In $ 100 to $ 200, we are also fans of Shure MV51 and Blue Raspberry.


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